Archive Tape Name: 62re35b NA NA National Science Foundation, Digital Library Initiative Phase 2 Maurice Amado Foundation University of California at Davis Samuel G. Armistead Bruce Rosenstock NA Samuel G. Armistead Samuel G. Armistead University of California
Spanish and Classics Dept. University of California at Davis Davis, CA 95616

Textual transcription of this tape and corresponding audio file are available for purposes of research, teaching, and appreciation. In some cases, either the transcriptions, the audio file, or both may be used only with the permission of Samuel G. Armistead send requests to address given above.

Any republication or other use of these materials must acknowledge their source and their copyright by Samuel G. Armistead.

 This transcription is taken from Archive tape named Reel 62-35, Side B, recorded on 1962-08-29, whose digital audio file is named 62re35b. The tape was recorded in Casablanca. Samuel G. Armistead interviewed and taped session 1962-08-29 INFNAME informant Dora de Ayach Bergel Informant identified as inf1 in 62re35b-1. Sol Azulay (Azoulay) Informant identified as inf2 in 62re35b-1. Sol Azulay (Azoulay) Informant identified as inf1 in 62re35b-2. Sol Azulay (Azoulay) Informant identified as inf1 in 62re35b-3. Dora de Ayach Bergel Informant identified as inf2 in 62re35b-3. Sol Azulay (Azoulay) Informant identified as inf1 in 62re35b-4. Sol Azulay (Azoulay) Informant identified as inf1 in 62re35b-5. Dora de Ayach Bergel Informant identified as inf1 in 62re35b-6. Sol Azulay (Azoulay) Informant identified as inf2 in 62re35b-6. Dora de Ayach Bergel Informant identified as inf1 in 62re35b-7. Sol Azulay (Azoulay) Informant identified as inf2 in 62re35b-7. Dora de Ayach Bergel Informant identified as inf1 in 62re35b-8. Sol Azulay (Azoulay) Informant identified as inf2 in 62re35b-8. Sol Azulay (Azoulay) Informant identified as inf1 in 62re35b-9.

The "Folk Literature of the Sephardic Jews Multimedia Digital LIbrary" is funded by a three-year grant from the National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a web-accessible archive of the Sephardic oral literature collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted since 1957.

Commentary on transcriptions has been provided by Samuel G. Armistead, who is solely responsible for identifying the ballad-titles and other genres of this folk literature.

The orthographic conventions used in transcribing these files are based upon those of Samuel G. Armistead. We have attempted to represent all variations from the pronunciation of modern Castilian Spanish and our orthography therefore captures phonetic phenomena which use of modern Spanish orthography would otherwise obscure. The full description of our conventions is available on the home page of the website.

 1962-08-29 Casablanca 62re35b-9 Karen L. Olson Supervised the editing of all transcriptions. Nancy Tamayo Editor/Transcriber Cinthya M. Miranda Editor/Transcriber Editor/Transcriber University of California, Shields Library Samuel G. Armistead
Spanish and Classics Dept. University of California at Davis Davis, CA 95616
Ballad Title Not Yet Identified canción. inf1 ... son las bodas y en la siudad de París. ¡Qué de condes y ... conversación inf1 "Condes y duques", me parese. Sí, una cosa así, ya se me olvidó. Samuel G. Armistead "Pero no hay quien me guíe la danza ..." inf1 Pero usted ... Empiesa otra cosa. "¡Qué de condes y duques / y donseyas también! / Y no hay quien guíe la dansa / como dueña de París". Dise así: recitado. inf1 ¡Qué de condes y duques y de donseyas también! comentario inf1 Sí. Y después dise: recitado Que no hay quien guíe la dansa como dueña de París. conversación inf1 Bueno, ¿Vas a empesar ahora? Joseph H. Silverman Sí. canción Pregonadas son las boda[s], comentario inf1 Ya se me olvidó. canción las bodas de París. Y no hay quien guíe la dansa como dueña de Parí[s]. -- ¿Qué miráis ahí, el conde? ¿Conde, qué miráis ahí? ¿Si mirabais a la dansa o me mirabais a mí? ¿Si mirabais a la dansa o me mirabas a mí? -- Ni veo yo a la dansa ni te veo yo a ti. Miro yo en tu lindo cuerpo tan galán y tan gentil. -- Si bien vos paresco, el conde, alsa y vámonos de aquí. Madre vieja tengo en casa, cansada estoy de servir. Los hijos tengo chiquitos, no se acordarán de mí. Los hijos tengo y chiquitodh, no se acordarán de mí. -- Y alsóla aquel saidi y yevóla de ahí. Al bajar las e ... fin de cinta. la canción continúa en el archivo 62re36a-1.